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Kurihara
Sadako is one of the poetic giants of the nuclear age. Born in Hiroshi-ma
in 1913, she was in Hiroshima on August 6, 1945. From then till now she
has addressed her poetry primarily to issues of nuclear destruction,
nuclear weapons, and nuclear power. Herself
a victim of the world’s first nuclear attack, she became the poetic
conscience of the Hiroshima that was no more. Her “Let Us Be
Midwives!” (September 1945) is perhaps her single most famous poem: it
celebrates the birth of a baby in the aftermath of nuclear devastation,
the triumph of life over death. But Kurihara turned her attention soon to
more controversial issues, including Japan’s role as victimizer in World
War II. Many of her poems attack the Japanese government and its policies
then and now. Published by Center for Japanese Studies, University of Michigan |